Elizabeth Bishop’s “The Imaginary Iceberg” consists of three stanzas of 11, 12, and 11 lines, respectively. Each stanza opens with one line of iambic pentameter: a line of verse in a poem with five metrical feet, each of which consists of one unstressed and one stressed syllable (in that order). The first line, for instance, is read “We’d rather have the iceberg than the ship” (Line 1). In this case, iambic pentameter follows the natural flow of the words in American vernacular. But Bishop reinforces the iambic rhythm of this first line through the use of internal rhyme on the stressed syllables. The first syllable of “rather” works as a slant rhyme to “have” and “than,” while “ice” has a similar—though not identical—vowel sound to “ship.” With the exception of Line 21, the body of each stanza contains a mixture of pentameter (five feet per line), tetrameter (four feet per line), and trimeter (three feet per line). Most of the poem’s lines, regardless of length, follow roughly iambic stress patterns.

Despite Bishop’s use of meter and relatively consistent stanza lengths, “The Imaginary Iceberg” is a

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