“I weighed Maxon and Aspen in my heart over and over, and neither of them had a true edge.”

Much of the conflict of the novel rests on America’s indecision about who will be the safer romantic choice for her. As indicated by the image of equal scales, she cannot decide whether to trust Maxon, who can offer so much, or Aspen, who knows her well. The tension caused by this love triangle is sustained throughout most of the book, and this quote highlights the theme of Choice Among Competing Affections.

“There was no denying the gardens had become our [mine and Maxon’s] place. Almost every chance we got to be alone, we came out here. It was such a stark contrast to how I used to spend my time with Aspen: holed up in the tiny tree house in my backyard, the only place we could be together safely.”

The difference between what Aspen and Maxon can offer America is illustrated by this comparison between the treehouse and the gardens. Maxon can offer a kingdom, a crown, luxurious surroundings, and a greater sense of freedom. Her relationship with Aspen has always been forbidden, and their interactions need to take place in secret. The suggestion that Aspen belongs to America’s childhood is further suggested by the image of the tree house, while Maxon, in comparison, can give her a palace.

“The windowless room was covered with shelves full of what appeared to be ancient books.”

The number of closed, hidden spaces inside the palace symbolizes the secrets that the royal family have hidden from the people. The room Maxon shows America contains books and maps recounting the history of the world before the wars, a history that is not taught or shared so that those in authority can control the knowledge and actions of the people—one example of the misuse of power shown throughout the book.