In London, Hanna goes to the Tate Museum to look at her father’s artwork. She begins to sob uncontrollably when she sees his painting. She is angry at her mother, wondering, “Why hadn’t she told me? At least I would have grown up with [...] the ability to look at the beauty he left behind” (261). Hanna returns to her hotel room and wakes refreshed the next day. She stays at her friend’s tiny home in Hampstead, trying to spend a few days working on her paper on the Haggadah. Meanwhile, she makes an appointment with a specialist at Scotland Yard to get more information on the sample of white hair found in the book.

While working doggedly on her manuscript, trying to “give a sense of the people of the book, the different hands that had made it, used it, protected it” (264-65), Hanna gets a knock on the door. It is a letter from Frau Zweig, the curator in Vienna, who had more information on Mittl and the clasps. She found a photo with part of the clasps made into earrings and said Mittl died of arsenic poisoning from syphilis treatments soon after his work ended at the museum.