Shukhov has a spoon that he made himself and takes everywhere with him. The spoon’s importance is demonstrated through him remembering it in the morning even in his rush to prepare for the guardhouse: ”[H]is spoon tinkled to the floor—though he’d made himself ready for the guardhouse in a hurry, he hadn’t forgotten his spoon” (25). The spoon serves as a symbol of Shukhov’s individuality. He uses it during meals, a time of relative freedom in his highly circumscribed life.

The spoon also connects Shukhov and Gopchik, supporting the theme of Survival and Solidarity Under Extreme Conditions. Gopchik asks Shukhov to help him cast his own spoon, and Shukhov agrees, partly because Gopchik reminds him of his son. In agreeing to teach Gopchik the art of spoon-making, Shukhov assumes a pseudo-paternal role in the young man’s life, illustrating how genuine connections can emerge despite difficult circumstances.

The trowel Shukhov keeps for himself is the second symbol of his individuality. Shukhov finds joy and dignity in work, and he adapted to the forced labor camp by learning masonry, which is a respected skill among the squads. The trowel helps him optimize his work performance and the enjoyment he extracts from working: “For a mason a trowel is a serious matter—if it’s light and easy to handle” (60).