In “A Question of Identity,” Baldwin explores the American in Europe without mentioning race. Is it possible to analyze a social situation that is intrinsically racialized without mentioning race? What insights might be lost? What insights might be gained?

In “Stranger in the Village,” Baldwin recounts some of his experiences in a remote Swiss mountain village. Do you think there is more possibility for positive interracial community in such a setting than in a major metropolitan center like Paris or New York City? If so, why? If not, why not?

Baldwin’s reading of Carmen Jones is geared towards the Hollywood industry generally, but since the time of his review, a small but significant independent Black cinema has grown. How might Baldwin’s concerns about Hollywood be addressed in Black independent cinema? How might you apply Baldwin’s analysis in “Carmen Jones” to other contemporary Hollywood films?