How does Faust Part I reflect the conversation held between the Director, Clown, and Poet in the “Prelude on the Stage,” as they argue about what the play should be? Is the play particularly defined by its poetry? Is there spectacle? How do its elements reflect their argument?

What is the purpose of the Earth Spirit in the play? Why does Faust choose to summon it, and what effect does it have on him after it vanishes? Why does he believe that it is still helping to guide him, as he says during his monologue in the forest cavern?

Does Mephistopheles help Faust in his quest for passion and meaning? After the two strike their deal, how do the subsequent events reflect what Faust says he wants from Mephistopheles?