Eyes form an important motif in the narrative, especially in the depiction of Capitú. Described as “cunning” and “sly,” Capitú’s eyes become symbolic of the suspicions and uncertainties that deeply trouble Bento’s perception of her character. Later, when Bento compares her eyes to the sea, he suggests that there is something both unfathomable and dangerous about her.

Escobar’s eyes and bold gaze first signify his inherent curiosity—a trait Bento admires in his colleague. However, Cousin Justina regards Escobar’s eyes as suggesting something more cunning and suspicious, just like the “slyness” attributed to Capitú’s eyes. Later, as Bento suspects Capitú’s infidelity, the motif ties into his concerns over Ezekiel’s paternity, as his son’s eyes increasingly resemble Escobar’s.

Bento’s interpretation of these eyes becomes pivotal in the unfolding narrative, influencing his ideas of Perception and the Nature of Truth. His unwavering belief in the revealing nature of one’s eyes creates a paradox within the narrative: While he adamantly asserts that the gaze of others unveils undeniable truths, he remains oblivious to the fact that his interpretations are often projections rooted in personal insecurities and delusions of self-importance, rather than objective observation.