47 pages 1 hour read

Dusti Bowling

Across The Desert

Fiction | Novel | Middle Grade | Published in 2019

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Chapters 15-21

Chapter Summaries & Analyses

Chapter 15 Summary

Marty and Jo walk along the road toward the Flipside Café. As they get near it, Jo sees a landing strip and a small airplane close by. A few other buildings and an RV park are situated near the café as well. The heat is already intense. Marty attempts to engage Jo in conversation about her mother, but Jo evades the questions and thinks about Addie’s courage.

Chapter 16 Summary

This chapter begins with direct messages from “12 Days Ago” (153). Addie is excited that Joanie Cash, the first female commercial airline pilot, replied to a letter she sent. The girls tell each other they are smart enough to accomplish anything, but Jo insists that her opportunities are limited because she cannot afford a good education.

The server welcomes Jo and Marty. They order, and Jo plugs in the phone. Feeling queasy and lightheaded from the heat, she refills the jug in the restroom. When Jo sees a map of the area on the wall, she adjusts her original map. An older woman comments on Jo’s talent, saying Jo could be an artist. While Marty is in the bathroom, the woman leaves, thanking the server. The server replies, “Thanks for coming in, Joanie. […] Fly safe” (165). Jo realizes this may be Joanie Cash and runs after her.

Chapter 17 Summary

This chapter begins with direct messages from “9 Days Ago” (166). Addie says she made a list for Jo that includes careers that are possible without a college education. Jo refutes most ideas, even Addie’s suggestion that she become a travel writer, with comments about not being good enough.

Jo chases the woman to ask who she is. Joanie confirms her identity. When Jo says she has never flown before, Joanie tells Jo she must experience flying soon. She mentions Jo’s artistic talent again and says that anyone can pursue an area of interest no matter their socioeconomic circumstances. Jo considers asking Joanie for help with searching but decides against it.

Chapter 18 Summary

When Marty hears about Joanie, she is upset that Jo did not ask Joanie to look for Addie. Jo says she chose not to since the risk was too high of notifying the police (and consequently her mother). Marty is suspicious and wants Jo to be more honest about her mother. They leave for their trek into the desert with only 24% battery on the phone. Before setting out, Marty draws a line across the water jug halfway down. She tells Jo they will have to turn back when they drink the water down to the line; Jo agrees. They walk a dirt trail toward the spot where Jo believes the crash happened. She is confident that Addie is there but afraid of what they might find.

Chapter 19 Summary

Jo hopes they will have enough water to get to Addie. When she notices the low phone battery, she hides her worry. She puts off Marty’s fears of wild donkeys and falling blobs of dried mud as they enter the mud canyon. The walls grow high enough to cast shade. Jo thinks she recognizes a twisted tree trunk and believes Addie is nearby.

Feeling optimistic, Jo thanks Marty for her help and claims she has no one else who might have helped her. When Marty asks about relatives, Jo reveals that her Aunt Mallory left her at the hospital after the accident instead of taking care of her; Jo had to spend her mother’s hospitalization and recovery living in emergency foster care. When Marty’s questions return once again to Jo’s mother’s current condition, Jo races to the end of the canyon. Once there, she sees no sign of Addie.

Chapter 20 Summary

This chapter begins with direct messages from “9 Days Ago” (191). Addie misses her father and often thinks about flying with him. She tries to boost Jo’s spirits when Jo claims it is hard to be excited about anything; Addie mentions their travel plans, but Jo bluntly says their trip is not a realistic possibility.

Jo sees the brownish foliage of some trees over the wash and determines Addie must be close. Marty reminds her about the water: “If she’s not down there, we’re leaving, Jolene” (194). Jo takes off toward the wash, running under the barren trees and calling loudly for Addie. On the other side, there is still no sign of Addie or the ultralight. Marty tells Jo they must leave.

Chapter 21 Summary

Miserable, Jo bitterly comments that she could not save Addie though others manage impossible feats. Marty suggests Addie may be back home, and that Jo’s struggle is for “no good reason” (198). Jo feels the stored “boxes” of anxiety burst, and she refuses to leave. She screams that no one including her mother cares; she recalls a cruel note left on her desk by a bully at school; she insists that saving Addie was up to her. Marty says she cannot tend to everyone; she hugs Jo, saying they must leave. Suddenly Jo hears metal hitting metal. Inspired by women mountain climbers Wanda Rutkiewicz, Lucy Walker, and Junko Tabei, Jo races up a rise and looks over the top.

Chapters 15-21 Analysis

Across the Desert makes many references to women’s history to help characterize its young female protagonists, and this section is no exception. Women’s accomplishments rush to Jo’s mind as she struggles to ascend the thorny hill and rescue Addie: “Right now, in this moment, I am Wanda Rutkiewicz, climbing K2. I am Lucy Walker, nearing the top of the Matterhorn. I am Junko Tabei, summiting Mount Everest. They are all with me, pushing me, giving me their strength” (203). Wanda Rutkiewicz (1943-92), born in Lithuania and raised in Poland, fell in love with mountain climbing in her late teens; she was the third woman to climb the world's tallest mountain, Mount Everest, and the first woman to the top of K2, the world’s second highest mountain, located on the border between Pakistan and China. Lucy Walker (1836-1916) from Britain is credited with being the first woman to climb many peaks of the Alps. From Japan, Junko Tabei (1939-2016) scaled the Seven Summits (each continent’s highest mountain peak, including Mount Everest)—the first woman to do so. While the character of Joanie Case is not a real figure (the first female commercial pilot was Helen Richey), Case’s compliments regarding Jo’s art abilities reawaken Jo’s concerns about a future path and begin to instill hope in her. Throughout this section, empowering female figures give Jo the courage she needs to complete her journey and overcome both her external and internal conflicts, further supporting the theme Believing in Oneself Despite Others’ Doubts. Using these references, the author shows how Jo uses the knowledge of strong, secure women for motivation, reinforcing that her own dreams of surpassing her socioeconomic limitations are both important to her and attainable.

Marty’s role as an archetypal ally remains clear in these chapters as she offers friend-like support throughout their trip, such as her poking fun at Jo with the name choice “Bertha” in the café. In more significant ways, however, Marty’s role begins to shift toward an archetypal mentor, and mentor supersedes ally as her primary function in these chapters. Despite youthful attributes and mistakes that suggest the opposite of wisdom (dropping the phone in the toilet, running out of gas), Marty’s tone toward Jo changes significantly in this section. Her word choice, message, and manner of speaking represent maturity, empathy, and knowledge. She wants Jo to learn from her own experiences.

Marty’s change in tone results from determining that Jo’s mother is unable to care for Jo. She senses that Jo feels secrets are the best way to protect her mother; her reply to Jo’s emotional insistence that her mother does not care about her conveys doses of reality and hope: “You know […] Sometimes people do stuff or act in ways that make it seem like they don’t care about us. But that doesn’t mean they don’t” (150). Marty’s wise clarification of Jo’s role in relationships catalyzes Jo’s later understanding that she must reveal her mother’s addiction: “It’s not your responsibility to save anyone from their own choices. […] Not even your mom” (200-01). Marty’s gentle steering of Jo’s realizations in this emotional scene is capped with a hug, a clear juxtaposition to the amount of physical contact and affection Jo receives from her mother.

Also in this section, the extreme heat makes it difficult to be outside safely, posing a constant threat and complication to every choice Marty and Jo make—and making the consequences of poor choices and mistakes such as running out of gas more severe. The water supply in a milk jug, their lifeline, dictates how long their quest will last, once Marty establishes the turnaround mark with a pencil on the jug. The desert setting and extreme heat contribute to suspense, as Jo feels the urge to begin their trek before the heat increases and is impatient while inside the Flipside Café. In these ways, the desert setting contributes to conflict and Jo’s Personal Growth Through Adversity. This theme further comes to a head as Jo’s two conflicts experience sharp peaks by the end of Chapter 21: Regarding Addie, Jo climbs the hill, about to discover the injured girl. Regarding her inner conflict, Jo cannot keep her anxiety and stress “boxed” inside any longer and realizes that her mother’s condition may not be a problem she (Jo) can solve alone. These discoveries compel Jo’s growth toward greater maturity and change the direction of the plot as Jo’s goals shift.

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