In his “Afterthought” to “The Nose,” Saunders describes the skaz-style narrator. What makes this an effective narrative voice? Can you think of any contemporary examples of this style of narration?

Saunders suggests that “The Nose” is truthful, even if it is also a fantastical. How are the experiences of the characters relatable, even if they are strange? How is the voice in the story relatable?

“The Singers” is structured in an unusual way. How does its construction strengthen the story?