“She stared down, instead, at the bleeding ink on the back of her hand. The words were starting to blur, as if the address were a spell, one with a tauntingly short life span.”

These lines heighten the story’s tone and act as foreshadowing for her adventure later on. The bleeding address parallels the decay of the house itself, which falls into disrepair in a similar way. The use of the word “spell,” introduced here as a simile, also represents the presence of magic and Effy’s sense of enchantment with the legacy of Myrddin’s stories.

“If she said yes, I do, she was a conceited harpy. If she shook her head and rebuffed the compliment, she was falsely modest, playing coy. It was fae-like trickery. There was no answer that wouldn’t damn her.”

This moment highlights the inherent flaws in society’s Gender Dynamics and Systemic Discrimination. Effy equates patriarchy to supernatural forces, paralleling the novel’s recurring motif of men’s weakness being exploited by the Fairy King. Despite its supernatural undertones, the observation also illuminates the realistic way in which marginalized people are unable to find an agreeable escape from discriminatory behavior.

“Yet Effy found herself half in love with the Fairy King sometimes, too. The tender belly of his cruelty made her heart flutter. There was an intimacy to all the violence, she supposed. The better you knew someone, the more terribly you could hurt them.”

This moment foreshadows the “intimacy” of Effy’s connection with the real Fairy King. Here, she is referring to the fictionalized account in her favorite book, but the duality of her feelings in response to the villain’s nature is a metafictional reference to many popular and problematic romantic male leads in contemporary literature, particularly young adult fiction and fantasy. It also suggests a complexity to love and intimacy that transcends simple affection.